![]() The city of Inglewood, which for years was often overlooked, is now drawing attention for its potential.Ī developer bought the Baldwin Hills Crenshaw Plaza in 2021, and has made plans to turn the former shopping center into a modern oasis for housing and restaurants. She sported a sweatshirt for one of her alma maters, Howard University, a Historical Black College and University based in Washington DC. It was her first time at Taste of Soul, though she’s wanted to attend for years. I love to support small businesses and, honestly, just be in the community with people,” said Tyana Ingram, a social worker and program director for a youth mentoring organization. Taste of Soul is a community effort recognized by dozens of sponsors and supporters – it counts the LA mayor, Eric Garcetti, among its chairs and Representative Karen Bass among its co-chairs – and attendees alike. Bakewell, a civil rights activist and entrepreneur, founded the festival in 2005, and the Sentinel is a holding of his company. “The evolution of Taste of Soul has simply been about the care for Black people and wanting the best for our community,” Danny Bakewell Sr told the Los Angeles Sentinel. In addition to five stages, about 150 food stalls and even more local vendors, the event connects attendees with a variety of county and community services, from healthcare and education to job opportunities and housing assistance. But Taste of Soul acts as a community fair, as well. Artists like Stevie Wonder and Queen Latifah have performed in the past and the Brenda Marsh-Mitchell Gospel Stage features powerhouse choirs. Indeed, the culinary spread is an undeniable draw, as is the entertainment. where you come and be with your brothers and your sisters in unity and happiness and fun. “Not for death, not for a killing, not to get together for nothing like that. “Taste of Soul is very important because it brings us together,” Phillips said. Nearly 400,000 people attended the festival in 2019. Phillips and Polk have danced at every single one. Clothing and artwork featured the likeness of rapper Nipsey Hussle, an icon of the Crenshaw district and once one of its most committed investors, before he was killed outside his Los Angeles clothing store in 2019. You’ll spot a hat with Mark 12:31 – Love your neighbor as yourself – stitched into it, postcards bearing the face of blues empress Bessie Smith, and a delightfully specific shirt featuring the January 2008 cover of Black Enterprise magazine with Barack Obama on the cover. Instead of shirts that say “John & Paul & George & Ringo,” these say “Broadway & Main & San Pedro & Avalon & Central & Alameda,” each celebrating the name of a street in Los Angeles county. Here, Whitney Houston karaoke draws a line all day, while Beyoncé’s Break My Soul plays from another speaker down the road. At its last pre-pandemic iteration in 2019, it attracted nearly 400,000 attendees. The free street festival is held on the third Saturday of each October and designed to reflect and celebrate the Black cultural experience, fused with other cultures and traditions. “To use that combination in ways that positively impact how people live and work is really exciting to me.They’re in the middle of the Taste of Soul Family festival in Inglewood, California. ![]() “I’ve always believed that good design is a blend of art and science,” he says. He says he’s finding this stage of his career to be especially energizing. “Seeing someone sitting in a chair and appreciating the logic and rationale behind it is very gratifying.” Weber says the most satisfying part of his work is watching someone enjoying the final outcome of his efforts. My challenge is always, ‘How can I produce something that will actually improve that condition?’ Comfort and health are like love and peace: can we ever have enough?” he ponders. “Workplace demands and responsibilities may change, but the human element remains relatively the same. “The human body is a constant source of inspiration for me,” he continues. ![]() ![]() It was all in an effort to gain a real understanding of what it takes “to support a body in space in a healthful way and enable motion at the same time,” he says. When designing Herman Miller’s Embody chair, for example, Weber and the Herman Miller team spent nearly two years talking with experts in various fields of medicine, from specialists in upper-extremity conditions to optometrists and neurologists. With an emphasis on results, an integral and important aspect in his design process is research. The quality of that design really dictates the quality of the user’s experience and thus defines our existence.” In the studio, that philosophy means the design of an object, a building, or a service “is the connective tissue between people and the world. ![]()
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